Scientific supervision/monitoring of theatre productions

Marques, S. (2024), Collaboration in the preparation of the play The Virtuoso, by Thomas Shadwell, produced by Marionet Theatre – supervision of the pronunciation of expressions in Greek and Latin.

C. Morais (2024), Accompanying the enactment of Antigone, by José Watanabe, directed and acted by Carlos Dimeo Álvarez (presented in the Amphitheatre of the Factory - Living Science Centre in Aveiro) – https://antigona.web.ua.pt/index.php/antigona-ficha-tecnica/ (Teatro da Cornucópia, presented in the S. Luíz Municipal Theatre - Lisbon)

M. F. Silva (2020), Direction of Aeschyllus's Persians, presented by the Club of Theatre Reading of the Teatro da Cerca de S. Bernardo (Coorganisation by the TAGV and A Escola da Noite - Coimbra) – https://weblog.aescoladanoite.pt/os-persas-de-esquilo-clube-de-leitura-teatral/

Várzeas, M. (2010), Scientific supervision of the production of Antigone, directed by Nuno Carinhas (São João National Theatre, presented at the São João National Theatre, Porto) – https://cinfo.tnsj.pt/cinfo/REP_1/A6/C20/D15010F30722.pdf

Silva, M. F. (2010), Scientific supervision of the production of The City, by L. Miguel Cintra (Teatro da Cornucópia, presented at the S. Luíz Municipal Theatre - Lisbon) – https://www.teatrosaoluiz.pt/espetaculo/a-cidade/

Nogueira, A. (2009), Consultation (Classical Antiquity) during the preparation of Sangue. Estudo de Antígona (Blood. Study of Antigone), by João Garcia Miguel. Teatro da Comuna - Lisbon.

Nogueira, A. (2004), Consultation (Classical Antiquity) of the adaptation of Antigone. ACTA - Faro.